Shin Mi-sik, a Korean documentary photographer who loves Madagascar, built four libraries for children in Africa. In order to protect children’s innocence and artistry, this time he want to convey music. With 50 ukuleles supported by a Korean cultural foundation, he leaves for Madagascar with composer Taehwa Jang and 14 volunteers. Although they are poor, they live with a positive outlook on life. The children, who find everything amazing, are absorbed in ukulele lessons and choir practice despite the hot weather. The beautiful performances and singing of a 50-member ukulele troupe and a 100-member choir resonate movingly at Trinity School, the beach, and Baobab Street in Morondava, Madagascar. Through the process of preparing for a ukulele performance with Madagascar children, we encounter the simple truth that the most beautiful gift to us is ‘music.’

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

바람에도 날아갈 것 같이 연약해 보이는 원노인, 무노인(아내)를 사랑하며 의지한다. 　　모처럼만의 산책, 강변을 거닐고 꽃 밭에서 춤을 추며 즐겁고 행복한 시간을 보내던 중, 　　한 여인을 괴롭히는 불량배들을 목격하게 되고, 점점 격해지는 불량배들의 행동에 원노인의 분노가 폭발한다

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

여고생 소영은 아무도 모르게 해야할 일이 있다. 소영은 그 일을 위해 역할대행인을 만난다.

Haesoo, allergic to lying, experiences her first kiss with Siyeon. However, she feels uncomfortable about the kiss and their sexualised touching. Seeing herself different from others, Haesoo thinks, "Do I not love Siyeon?" and feels confused about her love. Because she is uncomfortable with the word 'love', her back is getting more severe allergic reaction.

We don't have an overview translated in English. Help us expand our database by adding one.